We bring your story to light.

Lighting design from first sketch to final cue. A plot that fits the room, a look that fits the music, and a rig that can actually be built in the time the schedule allows.

GrandMA3 programming, timecode and scripting. Every cue built so that night twelve of the tour runs exactly like night one.

Someone behind the desk who knows the show. Busking a club night or running a locked timecode set — on tour, or as a stand-in when your own operator is out.

Calling the show from the book: cues to lighting, video, sfx, pyro and stage. The artist walks on at the right second and nobody on comms is guessing.

From rigging call to final blackout. Crew, planning, suppliers and the paperwork nobody enjoys, so the day runs without anyone having to chase it.